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Timed
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PO Box 117
Chorley, Lancashire
PR6 0QR
United Kingdom
The Beatles Memorabilia Auction
Auction dates
Starts:
Sep 27, 2024 10:00 AM BST
Ends from:
Oct 06, 2024 03:00 PM BST
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There are 374 lots within this auction
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A typed letter on Apple Music Publishing Co. headed notepaper. The letter is dated June 23, 1970. It reads as follows:
“Dear Patton:
Please be advised that at the present time we are not accepting any new material for recording purposes.
Thank you for communicating with our office.
Very Truly Yours,
Allan Steckler.”
The letter comes in an original Apple envelope bearing the 1700 Broadway New York address and the green Apple logo in the lower left corner. The address is typed onto the envelope and it is post marked June 23 1970 New York.
The envelope measures 24cm x 10.5cm (9.5 inches x 4.25 inches). The letter measures 21.5cm x 27.5cm (8.5 inches x 10.75 inches). The condition of the envelope is very good minus. The condition of the letter is very good.
Provenance: from the collection of then aspiring musician Gary Patton.
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An original 1970s Apple Records key ring bearing a green and red apple image printed on clear Perspex. The key ring comes with a letter on Official Beatles Fan Club headed notepaper from the fan club secretary Freda Kelly. The letter reads as follows:
“20.1.74 Dear Mr Jones, Please find enclosed, Press Book, final newsletter and photographs. I am sorry there is nothing left to send you. Enclosing also an apple key-ring for yourself. Sincerely Freda”
Freda has handwritten the letter in black pen.
The key ring measures 6cm (2.5 inches) in diameter. The condition is very good plus. The letter measures 20.5cm x 25.5cm (8 inches x 10 inches). The condition is very good.
Provenance: from the collection of Ron Jones, author of the best selling guidebook, The Beatles’ Liverpool.
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An extremely rare sheet of unused Apple Studios letterhead featuring a large Apple logo watermark in the middle and the following printed along the bottom edge: Apple Corps Ltd, 3 Savile Row, London W1 Cables Apcore London W.1 Telex 27121 Directors: J.O Lennon G. Harrison Telephone 01-734 3008-9 01-734 8232.
The letterhead measures 21cm x 29.5cm (8.25 inches x 11.75 inches). There is a horizontal fold line running across the centre. The condition is very good.
Provenance: from the collection of a former Apple employee.
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Two pieces of correspondence relating to Derek Taylor, The Beatles press officer at Apple from the late sixties. The first is a typed note by Derek Taylor to an Apple employee. It is typed on a sheet of Words From Apple letterhead and reads as follows:
‘Deaedee
The trouble is that I have a lot on my mind and a lot to think about and a lot of responsibility for a lot of people and so sometimes I’m not as nice as I should be and sometimes I’m not as nice as I want to be but anyway I’m sorry if I upset you because you don’t deserve it and that’s a fact.
Be patient and forgiving.
Love D’
The paper measures 21cm x 30cm (8.25 inches x 11.75 inches). There are numerous areas of wear and tear around the edges. The paper has been folded in half leaving horizontal and vertical crease lines through the centre. The condition is very good minus.
The second piece of correspondence is a typed memo, perhaps from one member of Apple staff to another, which Derek Taylor has annotated. It reads as follows:
‘Dear Marg,
Wish I could do shorthand. Makes me feel so incompetent when you give me a letter and don’t get it all down. What do I do? I get very depressed about this situation. Should I take a job elsewhere?
Sincerely
Worried From Bayswater.’
Derek has then added the following pen notes in response to some of the questions ‘Too Late’ ‘You Aren’t’ ‘No’ ‘Don’t’.
The paper measures 20cm x 17.5cm (8 inches x 7 inches). There is some wear and tear to the edges. The condition is very good.
Provenance: from the collection of a former Apple employee.
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A collection of 3 60s/70s Beatles related compliment slips. There are 2 Apple compliment slips, one from 29/30 St James Street and one from 3 Savile Row. There is also a compliment slip from NEMS Enterprises Ltd 5/6 Argyll Street.
The Apple compliment slips each measure approximately 12.5cm x 8cm (5 inches x 3 inches). The NEMS compliment slip measures 10cm x 8cm (4 inches x 3 inches). The condition is near mint.
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A pair of original seventies film reel canisters each with the Apple Films Ltd. label in the centre.
The first canister has ‘Trailer Born to Boogie 35m 0PT TRK Print’ handwritten in red marker pen on the label. It also has ‘Return To Boston PL’ written in red marker pen on a sticker above the label. The words ‘Born To Boogie TRC1 Sound CR One’ is handwritten in black marker pen on a sticker around the outside.
The second canister has ‘Born To Boogie 1 Track Final Mix RL.1’ handwritten in black marker pen on the label and ‘Apple Born To Boogie 35m, Mag Final 3 TRK Mono Mix #1’ written in black marker pen around the outside edge of an Apple sticker around.
The first canister measures 27cm (10.6 inches) and the second measures 29cm (11.5 inches) in diameter. There are some patches of rust, marks and tape residue across each of the film cannisters. The condition is very good minus.
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A telephone and address book from the 1970s which belonged to a former Apple employee. It lists Apple’s address at 29 / 30 St James’ Street, S.W.1. The Beatles addresses and phone numbers include George Harrison’s, Ringo Starr’s (Monte Carlo and L.A) and Paul McCartney’s. Listed below are the names and addresses of the following categories of people associated with The Beatles that are included in the book.
Apple employees and business associates - Neil Aspinall, Nat Weiss, Robert Stigwood, Tony Barrow, Peter Brown, Cilla Willis, Claude Harper, Clive Epstein, Lil Evans, Hilary Gerrard, Ron Kass, Laurie McCaffrey, Vic Lownes, Freda Norris (Kelly), Tony Palmer, Joan Woodgate, Judd Landau, Alan Aldridge, Bernard Brown, Eddie Klein, Phil McDonald, Denis O’Dell, Ronan O’Reilly, Derek Taylor
Relatives and Friends – Elsie and Harry Graves, Ivan Vaughan, Timothy Leary, Victor Spinetti, Peter Sellers
Record Companies and Recording Studios etc – Track Records, Capitol Records, EMI Studios, Island Records, NEMS Enterprises, Trident Studios, Virgin Records, Air Studios, Olympic Studios, Ringo’s office, PYE, ROR, Scorpio Studios, Criminal Records
Musicians and Celebrities – Eric Clapton, Phil Collins, Junior Campbell, Eric Idle, Terry Southern
Nightclubs etc – Tramp, The Roundhouse
Hotels and shops – Hotel Du Cap D’Antibes, Plaza Hotel, Beverley Wiltshire Hotel, Lowes Hotel, Harrods, Plaza Athenee (Paris), Selfridges, Britannia Hotel, Beverley Hills Hotel, George V Hotel
Various – Sunday Times, American Embassy, Arts Council, Betting office, BMW, Capitol Radio, Queen Charlotte’s hospital, dentist, Euston station, Frere Cholmeley, Granada TV, Jacksons Toy Shop, John Lewis, London Weekend Television, Dr Paul, Sunningdale Carriage, Thatched Tavern, Travel Agent
The above is just a small sample of the entries in the book.
The book measures 20cm x 15cm (8 inches x 6 inches The front and back covers of the book are missing. The condition is very good.
Provenance: from the collection of a former NEMS and Apple employee.
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Estimate
1,500 - 2,000 GBP
An original late 1960s Apple Records promotional dartboard. These were distributed to various music industry insiders and friends of The Beatles to promote the group’s newly formed company Apple Records.
The dartboard measures 46cm (18 inches) in diameter. It has been extensively used and the red bullseye is missing. The condition is very good minus.
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An original double sided 12 inch acetate containing 23 tracks by various artists. The acetate is on the Apple Corps Ltd 3 Savile Row Custom Recording label with typed song titles. This is a compilation of various tracks put together by engineers in Apple Studios.
Track list as follows:
Side 1
‘I Can’t Help Myself’ by Donnie Elbert.
‘In The Name Of Love’ by The Supremes.
‘I’ll Always Love You’ by The Spinners.
‘Baby I Love You’ by The Ronettes.
‘All Shook Up’ by Elvis Presley.
‘Be Bob A Lula’ by Gene Vincent.
‘Wooly Bully’ by Sam The Sham And The Pharoahs.
‘Virginia Plain’ by Roxy Music.
‘Put it Where You Want It’ by The Crusaders.
‘Love Train’ by The O’Jays.
‘My Man, A Sweet Man’ by Millie Jackson.
‘Feel The Need In Me’ by The Desert Emeralds.
Side 2 ‘I Can’t Help Myself’ by The Four Tops.
‘Ain’t That Asking For Trouble’ By Stevie Wonder.
‘Day Tripper’ by Otis Redding.
‘You Keep Me Hanging On’ by The Supremes.
‘Get Back’ by The Beatles.
‘Uptight’ by Stevie Wonder.
‘Since You’ve Been Gone’ by Aretha Franklin.
‘Dancin’ In The Street’ by Martha Reeves and the Vandellas.
‘Jimmy Mack’ by Martha Reeves and the Vandellas.
‘Brown Sugar’ by The Rolling Stones.
‘California Girls’ by The Beach Boys.
The condition of the labels is excellent. There are light surface marks over both sides of the acetate with skips in various places. The condition is very good minus.
Provenance: from the collection of a former Apple employee.
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A single sided 7 inch Apple Corps Ltd. 3 Savile Row Custom Recording label acetate for the 1970 Badfinger song ‘Carry On Till Tomorrow’. The song appears on the Magic Christian soundtrack album, it was produced by Paul McCartney with string arrangements by George Martin.
There is some clouding on the lacquer and there is a chip on the run off groove. The condition of the acetate is fair.
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A collection of five white label LP test pressings and two acetates that were formerly the property of an Apple Studios employee. The collection includes the following test pressings:
‘Music For A Younger Generation’ by Alan Parker & Alan Hawkeshaw.
‘The Brass Family LP’ by Peter Winslow.
‘Mediterranean Intrigue’ by Neil Ardley.
‘The Legendary Me’ by Wizz Jones.
a compilation LP of Free and Cat Stevens songs.
It includes the following acetates:
a 10 inch acetate for the end credits of 'On The Buses' a Hammer Comedy Classic
a 12 inch acetate for the track ‘Road Ladies’ by an unidentified artist.
The records are accompanied by a postcard addressed to Apple engineer Phillip Macdonald at Apple Studios which reads as follows: ‘To Phil and Mal and Eddie And Glynis with fond memories from Kilburn and The High Roads betcha we get back to the best place one day Ian x’.
The lot is also accompanied by a payslip from the former Apple Studios employee and a letter by that reads:
‘I am [an] ex-employee of Apple Studios, 3 Savile Row, London W1S 3PB. Verify that this is a genuine Apple pay slip as given to me when I was a tape operator.’
The condition of the lot is very good minus to very good plus.
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1,000 - 2,000 GBP
A UK Apple Records vinyl pressing of the 1969 Delaney And Bonnie album ‘The Original Delaney And Bonnie’. The album was intended for release by Apple Records on 30th May 1969 but was withdrawn due to contractual reasons. This is one of a small number of pre-release copies that were pressed. Both sides have the 1 G Stampers. The A-side matrix number is SAPCOR-7A EKS-74039-A S2. The B-side matrix number is SAPCOR-7B EKS-74039-B S2. The condition of the labels is very good plus. The condition of the vinyl on side one is very good plus. The condition of the vinyl on side two is excellent.
An excerpt from the book Those Were The Days The Beatles And Apple by Stefan Granados reads as follows: 'Another project seemingly lost in the shuffle was an album by the American rock-soul act Delaney and Bonnie. Apple had planned to release their album entitled ‘Accept No Substitute’ on 30th May. Given the catalogue number Sapcor 7, copies of the album had been pressed and were waiting for covers when Apple cancelled the whole project due to contractual disagreements with the duo.
The plan to issue the Delaney and Bonnie album in the UK may have been scuttled in part by Apple’s reluctance to pay advances but the inconvenient fact that Delaney and Bonnie were under contract to Elektra Records in the United States is likely to have played a more significant role in the non-appearance of a Delaney and Bonnie album on Apple. For the next year or so, lucky visitors to the Apple office would be given copies of the sleeveless Apple pressing of the album. Copies would also be given to any interested Apple staff and artists.'
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A collection of five used 1990s Apple Productions compliment slips. Printed on white paper each slip has ‘Apple’ at the top, ‘With Compliments’ across the middle, and the Apple Productions address as 5 Wendell Road, London, W12 9RT at the bottom. Apple Productions is a division of Apple Corps Ltd.
Each slip measures 21cm x 10cm (8.5 inches x 4 inches). They all have handwritten notes on the front, however, one is blank. Some slips are creased or have discoloured marks to the paper. The condition is very good.
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1,000 - 2,000 GBP
A clear glass decorative paperweight in the shape of an apple which was produced by the French glass and crystal maker Daum. It was made to be sold at The Beatles’ Apple boutique on Baker Street, London in the late 1960s.
The paperweight measures approximately 11.5cm (4.5 inches) in height. There are a few very light marks in places. The condition is excellent.
Provenance: from the collection of the manager of the Apple boutique, John Lyndon.
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A large red, black and white poster given exclusively to Apple staff for Christmas of 1970. It features a black and white photo collage of Apple staff and a Christmas story at the bottom, all on a red and black background.
The poster measures 91.5cm x 61cm (36 inches x 24 inches). It has been machine folded leaving horizontal and vertical crease lines. The poster has some wear along some of the crease lines and some light tearing along the left edge. The condition is very good.
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An original sixties film reel canister with the Apple Films Ltd. label in the centre. The label has the written annotation ‘The Beatles Penny Lane 35M E/Col Neg’ in black marker pen. ‘The Beatles Penny Lane – 7530 E/Col Neg’ is also written in black marker pen on a sticker around the outside. The film reel canister is now empty but it was originally used to house the 'Penny Lane' promo film.
The canister measures 27cm (10.6 inches) in diameter. There are some small patches of rust, marks and tape residue across the film cannister. The condition is very good minus.
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A late 1960s Apple Records promotional money clip and Bank Of Apple 1 Million Note The money clip is made of brushed steel and it features the Apple logo in the centre. Also included in the lot is an original promotional one million note from the Bank Of Apple.
The clip measures 4.7cm x 6cm (1.75 inches x 2.4 inches). There is some light scratching in places. The condition is very good.
The note measures 14.5cm x 7.5cm (6 inches x 3 inches). The condition is mint.
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An original LEX Group credit card that is registered to The Beatles Apple Corps. Ltd. account.
The card measures 8.5cm x 5.5cm (3.4 inches x 2.1 inches). There is a 2.5cm (1.25 inch) crack running up from the bottom of the card. The condition is very good minus.
Provenance: the credit card was formerly the property of Alan Herring who was employed by Ringo Starr between 1968 and 1968. Alan was initially Ringo’s chauffer and was then promoted to his personal assistant. He attended various Beatles recording sessions at EMI Studios, Abbey Road including the recording of ‘The White Album’, ‘Abbey Road’ and ‘Let It Be’.
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A single sided 10 inch acetate for the 1969 Badfinger song ‘Come And Get It’. The Apple label acetate bears the address Apple Records Inc. 1700 Broadway, New York, N.Y. 10019 U.S.A. The song was written and produced by Paul McCartney. Paul also played percussion on the recording.
The condition is very good minus.
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An original Disc Award presented to Mary Hopkin as the winner of the paper's Miss Valentine in 1971. The cast pewter goblet is engraved with the award details along with Mary’s name.
The award measures 15.5cm (6.2 inches) in height. There is wear and some light scratches to the award. The condition is very good.
Provenance: from the collection of Mary Hopkin. The award was originally sold as lot 234 in The Beatles Collection sale at Omega Auctions on the 8th October 2019.
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An original black velvet choker necklace that was owned and worn by Mary Hopkin. It has a button closure and decorative gold and silver beading.
The choker measures 35cm (13.7 inches) in length. There is some wear to the decorative stitching with missing threads. The condition is very good.
Provenance: the necklace was previously sold as part of lot 245 in the October 2019 Omega Auctions sale. The lot included original clothing and accessories owned and worn by Mary Hopkin which were consigned directly by Mary to the auction.
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An original blue robe that was owned and worn by Mary Hopkin. It is embroidered with cranes and floral pink designs. There are belt loops but no belt is included.
The robe measures 120cm (47.2 inches) in length and 65cm (25.5 inches) from armpit to armpit. There are several small holes in the robe, mostly around the seams of the garment. The fabric is discoloured and faded in places. The condition is very good.
Provenance: the robe was previously sold as part of lot 245 in the October 2019 Omega Auctions sale. The lot included original clothing and accessories owned and worn by Mary Hopkin which were consigned directly by Mary to the auction.
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An original sixties promotional poster for the Mary Hopkin Apple single entitled ‘Those Were The Days’ c/w ‘Turn Turn Turn’. It has been signed in black pen by Mary in the lower right corner.
The poster measures 50.5cm x 76cm (20 inches x 30 inches). There is a tear on the top edge measuring 4cm (1.5 inches) and light creasing over the surface and the edges of the poster. The condition is very good minus.
Provenance: from the personal collection of Mary Hopkin.
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A black and white photograph of children in the Cavern Club, Liverpool taken by Astrid Kirchherr in 1964. Astrid has signed on the reverse in black marker pen. The image was developed from the original negative in the 1990s.
The photographic career of Astrid Kirchherr began when she started art school as a student at Meisterschule fur Mode, Werkschule fur Textil, Grafik und Werbung in 1957. Under the tutelage of photography teacher Reinhart Wolf Astrid expanded her photographic knowledge and skills. She was soon invited to be Wolf's studio assistant.
The print measures 24cm x 17.7cm (9.4 inches x 7 inches). The condition is excellent.
Provenance: from the collection of Ulf Krüger.
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A collection of flyers for the Heswall Jazz Club. Includes two flyers for concerts which featured performances by Gerry and The Pacemakers on the 8th September 1962 and a handwritten draft flyer designed by Bob Wooler.
The largest flyer measures 19cm x 25.3cm (7.5 inches x 10 inches). The condition is very good.
Provenance: from the collection of Bob Wooler, former Cavern Club DJ. Also comes with a Tracks Ltd. certificate of authenticity.
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A collection of letters from various groups or their managers each asking for the opportunity to play at The Cavern Club, Liverpool. In total there are fifteen letters, thirteen of which are handwritten and two of which are typed.
The condition is very good.
Provenance: from the collection of Bob Wooler, former Cavern Club DJ. Also comes with a Tracks Ltd. certificate of authenticity.
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A collection of four original vintage sixties black and white photographs of Cavern Club compère Bob Wooler taken by Graham Spencer in the 1960s. Each is embossed 'Graham Spencer Rough Proof' with a telephone number.
The photographs measure 8.8cm x 14cm (3.5 inches x 5.5 inches). The condition is very good.
Provenance: from the collection of Bob Wooler, former Cavern Club DJ. Also comes with a Tracks Ltd. certificate of authenticity.
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Four contracts for performances at the Cavern Club by various artists. The Beatles appeared on some of these dates but are not mentioned in the contracts.
The first contract is between Ray McFall and The Dakotas dated the 1st June 1962. It is for three performances at the Cavern Club on the 1st, 13th and 26th June 1962. The Beatles also performed their 104th lunchtime show on the 13th June 1962.
The second contract is between Ray McFall and Bill Landis dated 23rd July 1962. It is for a performance by Peppi & The New York Twisters at the Cavern Club, Liverpool on 19th August 1962. Although not mentioned on the contract this was a date that The Beatles performed at the Cavern Club. It was also the first time that Ringo Starr performed at the Cavern Club with The Beatles. It has been signed by Bill Landis.
The third contract is between The Cavern Club and The George Cooper Organisation Limited dated 30th August 1962. It is for a performance by Jimmie Macgregor and Robin Hall at the Cavern Club on 12th December 1962. The Beatles performed their 118th evening show at the club on this date. It was also the 45th and final time that they played the lunchtime and evening session on the same day.
The fourth contract is between Ray McFall and The Dixon Agency dated 12th December 1962. It is for three performances by Pete Maclaine and The Dakotas at the Cavern Club, Liverpool on 4th, 19th and 30th January 1963. The Beatles also played at the Cavern on the 30th January 1963.
The contracts measure 20.5cm x 33cm (8 inches x 13 inches). Four holes have been punched to the left edge of two of the contracts. There is some light wear and tear to the edges of each. The condition is very good.
Provenance: from the collection of Bob Wooler, former Cavern Club DJ. Also comes with a Tracks Ltd. certificate of authenticity.
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A collection of eight contracts for various performances at the Cavern Club, Liverpool. The collection consists of contracts for the following dates:
Kenny Baker on 31st March 1960.
Pete Haslam’s Collegians on 15th April 1960.
Ken Colyer's Jazzmen on 16th October 1960.
The Fabulous FleeRekkers on 18th September 1962.
Alexis Korners Blues Incorporated on 3rd May 1964.
Jimmy Witherspoon on 20th September 1964.
Original Drifters & Trendsetters on 29th January 1966.
The Plain And Fancy on 29th January 1966.
Each contract measures 20.5cm x 33cm (8 inches x 13 inches). The condition is very good.
Provenance: from the collection of Bob Wooler, former Cavern Club DJ. Also comes with a Tracks Ltd. certificate of authenticity.
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A collection of 15 letters all replying to The Secretary at The Cavern Club, Liverpool. The letters all relate to whether or not the recipient will be able to attend the re-opening of the Cavern Club on 23rd July 1966. The letters include replies from Melody Maker, the Bishop Of Liverpool, Daily Sketch, Daily Mirror, Mardi-Gras Club, The Guardian (Manchester) and many more.
The largest letter measures 20.5cm x 26cm (8 inches x 10.25 inches). The condition is very good plus.
Provenance: from the collection of Bob Wooler, former Cavern Club DJ. Also comes with a Tracks Ltd. certificate of authenticity.
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An extremely rare original photograph of John Lennon performing live on stage at the Cavern Club, Liverpool, England on the 5 th April 1962. The photograph is thought to be unpublished.
This unseen photo of John Lennon on stage at the Cavern was taken on the 5 th April 1962. This was a special concert called ‘The Beatles For Their Fans’ which was organised by The Beatles Fan Club. During the first part of the show, for all times sake, the group played the first part of the show in their black leather outfits and then they changed into their new Beno Dorn suits and ties for the second part. The night of April 5 th was one that Beatles fans from the Cavern had been anticipating with great enthusiasm. Yellow and black advertising flyers proclaimed: ‘The Beatles Fan Club presents an Evening with John, George, Paul and Pete, at the Cavern, 7:30 PM.’ Ticket holders would receive a free photograph and everyone would be able to apply for free membership to the fan club.
Pete Best recalls ‘This was a very exciting evening for us. The fans were wonderful and this was a very special evening for them. The photograph on the posters was misleading in that we had long abandoned our leathers in favour of suits Brian bought to present us with a more clean image. But we had a surprise in store for the fans that they were not prepared for. The old Cavern crowd had made us what we were, and they were not too keen on our new image. So on fan night we came out in our leathers to wild cheers from our fan club girls.’
The Cavern had become known as the ‘Home Of The Beatles’. The group made their first appearance at the club at lunchtime on Tuesday 21 st February 1961 – the only time that Beatles bassist Stu Sutcliffe ever played at the Cavern. They made their debut evening performance a month later.
Paul McCartney in The Beatles Anthology remembers ‘We started getting gigs down the Cavern. The Cavern was sweaty, dark, loud and exciting. As usual we didn’t start out with much of an audience, but then people began to hear about us. We could always entertain them. It became our strength later, whether playing live or marking records – we always had something up our sleeve.’
The Beatles final performance at the Cavern was on the 3 rd August 1963. Also on the bill were: The Escorts, The Sapphires, The Mersey Beats, Johnny Ringo and The Colts and George Harrison's favourite R&B group The Roadrunners. Tickets for the show sold out within thirty minutes of going on sale. Ray McFall, the owner of the Cavern, allowed only 500 people into the club, each ticket cost 10 shillings (50p).
The photograph measures 9cm x 9cm (3.5 inches x 3.5 inches). The condition is very good.
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An original NEMS Beatles business card from 1963.
The business card measures 15.1cm x 6.5cm (6 inches x 2.5 inches). There is some light staining around the edges of the card. The condition is very good plus.
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An original set of unused ex-stock 1964 1st series Beatles chewing gum cards manufactured by A&BC. There are 60 cards in the set (numbered 1 to 60) featuring a variety of black and white photographs of The Beatles including group and individual shots. The cards also come with an original A&BC Beatles Bubble gum wrapper.
Each card measures 8cm x 5.5cm (3.1 inches x 2.1 inches).
The cards are straight out of the packets and unused. Within each set the majority are mint and just as they were back in the day. Several cards in each set may have a little residue on the back of them from the chewing gum but that is the only defect, the photos haven’t been affected at all and the cardboard is crisp and fresh looking.
Provenance: these cards were obtained from a confectioner’s shop in the 1960s. At the tail end of Beatlemania, the shop owner found that he had several sealed display boxes of the cards on stock and fearful of the fact that the chewing gum might react with the cards he took all the small packets of cards out of the box and then opened the wrappers, threw away the chewing gum, the wrappers and the display boxes (!) and then compiled all the bubble gum cards into sets. We have purchased several sets of the cards from the family of the owner.
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A vintage sixties typed set of lyrics to the 1969 Beatles song ‘Maxwell’s Silver Hammer’. The lyric sheet is the type that was used in EMI Studios, Abbey Road, London when the group were recording the song in 1969 during sessions for their 'Abbey Road' album.
In Peter Jackson’s ‘Get Back’ film members of The Beatles can be seen using a similar kind of typed lyric sheet but, obviously, relating to titles from what was to become the ‘Let It Be’ album.
The sheet measures 20.2cm x 33cm (8 inches x 13 inches). There is creasing and some small tears to the top edge. The condition is very good.
Provenance: from the estate of The Beatles road manager, Mal Evans.
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A vintage typed set of song titles for the 1968 Beatles self-titled album, commonly known as the White Album. The sheet is the type that was used in EMI Studios, Abbey Road, London when the group were recording songs in 1968 during sessions for the White Album.
In Peter Jackson’s ‘Get Back’ film members of The Beatles can be seen using a similar kind of typed lyric sheet but, obviously, relating to titles from what was to be the ‘Let It Be’ album.
The song title sheet measures 20.2cm x 33cm (8 inches x 13 inches). There is creasing to the top edge and some lighter creasing to the bottom edge. The condition is very good.
Provenance: from the estate of The Beatles road manager, Mal Evans.
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An original vintage sixties personal photograph of John Lennon and Ringo Starr taken in 1965. The image has been mounted onto a piece of card.
The photograph measures 10.8cm x 8.5cm (4.2 inches x 3.4 inches). There is a crease to the bottom left corner of the print. The condition is very good minus.
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An original 1964 ‘With The Beatles’ tin of talcum powder. It was manufactured by S-M LTD, London under the brand name 'Margo Of Mayfair'. The oval tin has a picture of The Beatles with a stuffed toy and ski on one side and individual portrait pictures on the other, the main pictures and text are in black and white. It is almost full of powder.
The tin measures 17.5cm x 11.5cm (7 inches x 4.5 inches). The condition is very good plus.
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An original swatch of fabric from The Beatles Magical Mystery Tour coach. The coach was purchased by Radio City, Liverpool who also owned the Beatle City Museum. They re-upholstered some of the seats and this original material was cut into small swatches and then sold by the museum. The swatch is housed in a plastic bag with card tag which bears the Beatle City logo.
The fabric swatch measures 7.5cm x 13cm (3 inches x 5 inches). The condition is excellent.
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A large plastic table cloth featuring a repeating pattern of individual headshots of each Beatle, two group shots and facsimile signatures. The item was official licensed by NEMS and manufactured in the 1960s by BX Plastics Ltd., Brentham, Essex.
The table cloth measures 124cm x 162cm (48.75 inches x 63.75 inches). The condition is very good plus.
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An original telegram sent by The Beatles to one of the UK Beatles Fan Club secretaries, Elsa Goodlass. It is postmarked the 24th January 1968 and reads:
‘Many good wishes and congratulations on your 21st birthday Love John, Paul, George and Ringo’.
The telegram measures 18.8cm x 21.3cm (7.4 inches x 8.4 inches). The condition is very good.
Provenance: from the collection of Elsa Goodlass.
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An original issue of Mersey Beat music paper Volume 2 Number 36 dated 13th December - 3rd January 1963, the 1963 Mersey Beat Beatles Poll Winner's issue. It features a black and white image of The Beatles on the front cover, an advertisement for the group's performance at the Majestic Ballroom on the 15th December on page 6, a thank you message from the group on page 8, Mersey Beat poll results on page 13 showing The Beatles at number 1, a NEMS advertisement on page 13 and page 14 which has a full page spread with the Beatles Year Of Achievement including photographs of the group taken by Astrid Kirchherr in Hamburg.
The music paper measures 32cm x 43.5cm (12.6 inches x 17.1 inches). There is wear and tear to the spine with some tearing to where the paper has been folded. The condition is very good minus.
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5,000 - 8,000 GBP
An extremely rare Parlophone A-label demonstration for The Beatles debut single ‘Love Me Do/P.S. I Love You’. The single was released with the catalogue number 45-R 4949 on 5th October 1962. McCartney is mis-spelt as McArtney on both sides.
Side 1 matrix 7XCE 17144 – 1N
Side 2 matrix 7XCE 17145 – 1N
Stampers on both side 1 and side 2 are ZT JR
The single comes in the original TOP POP sleeve.
There are some light creases to the corners of the sleeve. The condition of the sleeve is very good. There is a piece of paper with the name 'Sue Goddard' taped to the A-side label. There are also some areas of light discoloration and a small scuff on each side of the label. The condition of the labels is very good. There are various light marks over both sides of the vinyl. The condition of the vinyl is very good.
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A UK red label first pressing 7 inch vinyl pressing of The Beatles second single entitled ‘Please Please Me’. It has been autographed by The Beatles in blue ballpoint pen on the A-side.
John Lennon has added ‘xx’ and ‘xx’ either side of his name.
Paul McCartney has added ‘xxxx’ below his name.
George Harrison has signed in the silver area but his signature has not taken too well in places, he has added the inscription ‘to Pat love from’ above his name.
Ringo Starr has added ‘xx’ below his name.
The signatures date to around the time that the record was released on 11th January 1963. The autographs were obtained in the Liverpool area.
There is some scuffing to the B-side of the label. The condition is very good minus.
Provenance: comes with a Tracks Ltd. certificate of authenticity.
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A 1964 Indian 10 inch 78rpm pressing of The Beatles single ‘A Hard Day’s Night / Things We Said Today'. CE 17714 R5160. The record comes in a paper Parlophone sleeve.
The shellac has numerous surface markings over both sides and is dull looking. The condition is good. The label has spindle marks and signs of wear on both sides. The a-side also has a couple of small scuff marks. The condition of the labels is very good minus. The sleeve has some ring wear and numerous small creases and tears around the edges. The condition is good.
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1,000 - 1,500 GBP
An extremely rare gatefold invitation to attend the An Evening With The Beatles performance that took place at the Paramount Theatre, New York, USA on 20th September 1964. The show was co-hosted by Ed Sullivan. The Beatles performed for free as it was a benefit concert. Every seat in the 3,682 venue was sold.
The invitation measures 17.75cm x 12.7cm (7 inches x 5 inches). There is some discoloration to the left front edge and a small mark on the right side. The condition is very good.
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A rare two page Beatles Fan Club newsletter dated 16th October 1962. It details various events including The Beatles recording ‘Love Me Do’, a TV appearance on People & Places, The Beatles Little Richard Tower Ballroom concerts together with various other pieces of information. Page two contains an itinerary of the group’s appearances between 20th October 1962 and 1st December 1962.
The newsletter measures 20.5cm x 33cm (8 inches x 13 inches). The top right corner of the first page is missing and there is wear and tear to the top edge. The reverse of page two has some glue and paper residue. The condition is very good minus.
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10,000 - 15,000 GBP
An original concert programme from the Beatles UK tour which took place between 18th May and 9th June 1963. The Beatles were co-headliners along with Roy Orbison. The programme has been signed on one of the inside pages by all four Beatles. John Lennon, Paul McCartney, George Harrison and Ringo Starr have each autographed in blue pen next to their respective image. John has also added the dedication ‘Love to Anne’ and ‘xxx’ before and after his signature. Paul and Ringo have each also added ‘xxx’ after their autographs. Gerry Marsden has signed one of the pages twice and Roy Orbison has autographed another.
The programme measures 20cm x 26.5cm (8 inches x 10.5 inches). There is some light creasing throughout the programme and a light vertical crease line running down the centre throughout. The condition is very good.
Provenance: comes with a Tracks Ltd. certificate of authenticity.
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12,000 - 15,000 GBP
A poster from the Northwich Carnival 1963. The carnival saw a unique stage appearance by The Beatles to crown the Carnival Queen at Verdin Park, Northwich, Cheshire, England on 6th July 1963. The event saw the biggest crowd Northwich Carnival had ever attracted, as soon as The Beatles took to the small stage hundreds of screaming fans tried to storm it. They were held back by police and even the local councillor chipped in to help. This exceptionally rare poster comes with a page taken from the Northwich Chronicle newspaper describing the event together with seven modern photographs of The Beatles on stage at the carnival. This is the only example of this poster that we have ever seen. It is printed on thin card stock.
The poster measures 38cm x 51cm (15 inches x 20 inches). The condition is excellent.
Provenance: the poster was obtained directly from the person who attended the event.
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An original single sided Dick James Music Ltd 7 inch demonstration disc acetate of The Beatles 1967 song entitled ‘All Together Now’. The acetate has the red and white Dick James Demo Disc label on which have been printed the words ‘45rpm’, ‘All Together Now’ and ‘The Beatles’.
There is some areas where the label has come away from the acetate. The condition of the label is very good. The surface of the record has numerous light surface marks. Plays through excellent. The condition of the acetate is very good minus condition.
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2,000 - 4,000 GBP
An original 1963 stereo copy of the Beatles LP entitled ‘Please Please Me’ . The record is on the black and gold Parlophone labels with the catalogue number PCS 3042. It has ‘The Parlophone Co. Ltd’ label text but without the ‘Sold in UK....’ text. Ernest J. Day sleeve. Side one has the matrix number YEX 94-1. Side two has the matrix number YEX 95-1.
There is some very minor fading to the gold colour writing on both sides of the label otherwise the condition of both labels is very good plus. There are several light surface marks on both sides of the vinyl. The condition of the vinyl is very good. There is some wear to all four edges of the front cover and some areas of light creasing. The condition of the front of the sleeve is very good. The reverse of the sleeve has spots of discolouration over most of the surface. There is some light creasing on the lower fold over flap and some tearing to the right corner of the upper fold over flap. The condition of the reverse of the sleeve is very good minus.
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1,000 - 1,250 GBP
An original concert programme for The Beatles for Brady Clubs performance that took place at the Odeon Theatre, Hammersmith, London on 29th December 1964. For this one-off show the Beatles took a break from performing their regular Christmas show which was taking place at the same venue between 24th December and 16th January 1965. This is one of the rarest concert programmes for any of The Beatles performances.
The programme measures 22.5cm x 28.5cm (8.75 inches x 11.15 inches). There is some minor wear to the corners and minor discoloration to the front and reverse cover. There are some foxing marks to several of the inside pages. The condition is very good minus.
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An original copy of the 'Supreme Court Of The State Of New York joint appendix of defendants-appellants'. A large volume relating to the case ABKCO Industries Inc. v The Beatles. The appendix was created to provide the court with a single volume that contained all the relevant material that would be needed to decide the case.
The book measures 21.5cm x 28cm x 4cm (8.5 inches x 11 inches x 1.5 inches). The condition is excellent.
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An original sixties Beatles Year Of Achievement poster printed by Swale Press Limited. The poster was originally an advertisement in Mersey Beat that was taken out by Brian Epstein. He subsequently issued the ad as a poster. It lists the group's achievements from the first year of his management as follows: Won Mersey Beat Popularity Poll (2nd Year), EMI recording contract, four BBC broadcasts, two Hamburg engagements and entered the Top 50 within two days of ‘Love Me Do’ release. Also listed are some of the upcoming events for 1963 including the release of ‘Please Please Me’, a Scottish tour in January and a Helen Shapiro tour in February. The bottom edge has the contact information for Brian Epstein, George Martin, Tony Calder Enterprises, and the Official Beatles Fan Club.
The poster measures 33.5cm x 46cm (13.1 inches x 18.1 inches). It has been folded leaving horizontal and vertical crease lines. There is a small stain in the lower right section. The condition is very good minus.
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1,000 - 2,000 GBP
A rare concert programme from The Beatles performance that took place at the Princess Theatre, Kowloon, Hong Kong on 9th June 1964.
The programme measures 20.25cm x 25cm (8 inches x 9.9 inches). There is some creasing and scuffing to the front and reverse cover. The condition is very good.
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A rare drinks menu from the Star Club Hamburg that was produced for the Rock n’ Twist Parade 1962. The Beatles were booked to perform three separate stints at the event. The Beatles made their debut at the Star Club on 13th April 1962 and they played nightly until 31st May 1962. The group were required to play four hours one night and three on the next, with a one hour on, one hour off rotation. For the seven week stint they shared the bill with Gene Vincent. The Beatles only day off during this stay was on Good Friday, the 20th April. By the 31st May they had been on stage for 172 hours over 48 nights. The second stint at the venue was between the 1st and 14th November 1962 sharing the bill with Little Richard and their third was between the 18th and 31st December 1962.
The menu measures 15cm x 21.4cm (6 inches x 8.4 inches). It has been folded horizontally across the centre. The condition is very good plus.
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12,000 - 15,000 GBP
An original Dixon Agency performance contract made on the 29th November 1962 between H.C Goodwin and The Dixon Agency. The contract is for an evening performance by The Beatles at the Oasis Club, Manchester on 8th December 1962. This was to be the group’s penultimate performance at the club having played there twice previously. It has been signed in blue pen along the bottom by a member of the Dixon family.
The contract measures 20cm x 32.5cm (8 inches x 12.75 inches). There are two holes punched down the left side, wear and tear to the edges and light creasing over the surface of the contract. It has been folded leaving horizontal crease lines. The condition is very good minus.
Provenance: from the collection of the family who bought the Oasis Club in 1962. Comes with a letter from the daughter of the former owner of the Oasis Club that reads:
‘My family - Tony Stuart my father, my mother and myself – bought the Oasis Club in 1962. My father worked with all the agencies to book groups that appeared at the club. We owned the Oasis Club from 1962 to the mid-70s when it was sold.
The signed contract illustrated below is the copy which we received for The Beatles appearance at the venue on 8th December 1962’
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A colour picture postcard that has been handwritten by The Beatles Fan Club secretary Freda Kelly in blue ballpoint pen and which was sent to Brian Epstein’s NEMS Enterprises offices in London, England. The card reads as follows:
‘Glen + Monty, having a “fab” time the wedding was yesterday. I have decided to stay until Wednesday. I will ring you when I get back. Freda’.
The address on the card has been handwritten by Freda and it is postmarked Baile Atha Cliath (Dublin, Ireland) 5th July 1965.
The postcard measures 15.25cm x 10.5cm (6 inches x 4.1 inches). The condition is very good.
Provenance: comes with a Tracks Ltd. certificate of authenticity.
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An original roll of 1960s Beatles wallpaper manufactured by Crown, UK. The wallpaper features four repeating colour images of the group with facsimile signatures on a white background.
The roll measures 56cm (22 inches) in width, including a sizing strip on both the left and right edges printed with the words ‘Join Trim’ and ‘Made In England’, it has come away in places. The condition is excellent.
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2,500 - 3,500 GBP
A collection of autographs and three photographs that were obtained whilst The Beatles were filming scenes for their second feature film ‘Help!’ at Twickenham Film Studios, Twickenham, England in either April or May 1965.
The lot consists of a complete set of Beatles autographs on irregularly cuts pieces of paper and an additional George Harrison autograph. All of the pieces of paper have been attached to separate autograph book pages. John Lennon and one of the George Harrison autographs are in black felt tipped pen, the remainder of the signatures are in blue ballpoint pen. John has added the inscription ‘To Myra + Jean love’ above his name, Paul has added ‘To Myra’ above his name.
In addition there are the following signatures of other cast members from the film: Eleanor Bron (Ahme), Roy Kinner (Algernon), Ronnie Brody (Priest), Jeremy Lloyd (Restaurant Owner) and two additional characters that are unknown.
Each autograph book page measures approximately 10.5cm x 9.5cm (4.4 inches x 3.75 inches). The condition is very good plus.
Included are three modern prints of George Harrison that were taken during the filming of Help!
Provenance: comes with a letter from the daughter of the person who obtained the signatures. It reads:
‘My mum was working at the studios where the filming of Help! took place. She said she would see the Beatles most days and on one occasion she had to get in the back of the van with them because of the rush of girls. She said they were friendly and would always acknowledge her. (she was very attractive) Unfortunately, mum has passed away and there is not much more l can tell you!’
Accompanied by a Tracks Ltd. certificate of authenticity.
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An original sixties glove puppet depicting Ringo Starr from the 'Yellow Submarine' animated film. It was manufactured by J. Bellamy & Sons Ltd, Castleford, England and originally contained 8ozs of Liquorice Allsorts sweets.
The puppet, at the widest points, measures 19.5cm x 27.5cm (7.75 inches x 11 inches). There are some small areas where the original colour has peeled away. The condition is very good plus.
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